Immersion in Digital Fiction

Alice Bell, Astrid Ensslin, Isabelle van der Bom, Jen Smith

Abstract


In this article, we profile an empirically grounded, cognitive approach to immersion in digital fiction by combining text-driven stylistic analysis with insights from theories of cognition and reader-response research. We offer a new analytical method for immersive features in digital fiction by developing deictic shift theory for the affordances of digital media. We also provide empirically substantiated insights to show how immersion is experienced cognitively by using Andy Campbell and Judi Alston’s (2015) digital fiction piece WALLPAPER as a case study. We add ‘interactional deixis’ and ‘audible deixis’ to Stockwell’s (2002) model to account for the multimodal nature of immersion in digital fiction. We also show how extra-textual features can contribute to immersion and thus propose that they should be accounted for when analysing immersion across media. We conclude that the analytical framework and reader response protocol that we develop here can be adapted for application to texts across media.


Keywords


Cognitive Poetics;Narrative;Narratology;Immersion;Embodiment;Digital Fiction; Reader Response; Stylistics;Deixis

Full Text:

PDF


DOI: http://dx.doi.org/10.15462/ijll.v7i1.105

URN (PDF): http://nbn-resolving.de/urn:nbn:de:hebis:77-ijll-ijll.v7i1.105.g529

Refbacks

  • There are currently no refbacks.


© 2012 International Journal of Literary Linguistics (ISSN 2194-5594)

Gefördert durch DFGUniversitätsbibliothek MainzUniversität Mainz
 
 
 Creative Commons License
This work is licensed under a Creative Commons Attribution 3.0 Unported
License
 
https://www.tub.tu-harburg.de//wp-content/uploads/2012/06/OpenAccess_Logo.jpg